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Essays on Gogol Logos and the Russian Word (SRLT) by

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Published by Northwestern University Press .
Written in English

Subjects:

  • Literary theory,
  • Literature - Classics / Criticism,
  • Russian Literature,
  • Russian,
  • Religion,
  • Russian & Former Soviet Union,
  • Gogol, Nikolai Vasilevich,
  • Literary Criticism & Collections / Russian & Former Soviet Union,
  • Congresses,
  • 1809-1852,
  • Criticism and interpretation,
  • Gogol, Nikolai Vasilevich,,
  • Gogol§, Nikolaæi Vasil§evich,

Book details:

Edition Notes

ContributionsSusanne Fusso (Editor), Priscilla Meyer (Editor)
The Physical Object
FormatHardcover
Number of Pages291
ID Numbers
Open LibraryOL7979138M
ISBN 100810110091
ISBN 109780810110090

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These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.5/5(1). Essays for The Overcoat. The Overcoat essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Overcoat by Nikolai Gogol. The Overcoat: Symbolism in “The Overcoat” Theme of the “Little Man” in Gogol’s The Overcoat and Diary of a . The description for this book, Gogol From the Twentieth Century: Eleven Essays, will be forthcoming. Preview this book» What people are saying - Write a reviewReviews: 1. Susanne Fusso is a professor in the Department of Russian Language and Literature at Wesleyan University. She is the author of Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, ). She is the translator and editor of A Russian Prince in the Soviet State: Hunting Stories, Letters from Exile, and Military Memoirs () and coeditor of Essays on Karolina Pavlova () and.

  Essays on Gogol PDF Download. Download free ebook of Essays on Gogol in PDF format or read online by Susanne Fusso,Priscilla Meyer Published on by Northwestern University Press. These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol. The Namesake by Jhumpa Lahiri Essay Words | 5 Pages. The Namesake by Jhumpa Lahiri Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. As far as Gogol's identity is linked to that of his father, Ashoke understands Gogol as representing the life that followed the horrible train accident he suffered in His name represents the life-saving book that Ashoke was clutching when he was rescued. Gogol does not understand that part of his identity fully until after his father's death.   Jhumpa Lahiri’s The Namesake is a story that is parallel to Nikolai Gogol’s short story The ’s work is commended and mentioned countless times by Lahiri in her writing. The Overcoat is about a man named Akaky Akakievich, who, at first, is content with his life then begins to question his an attempt to better himself, he replaces his old overcoat with a freshly.

Get Your Custom Essay on Gogol’s Namesake Just from $13,9/Page Get custom paper. Lots of scholars are hung up on the reality that protagonist Gogol need to come from one culture or the other. Heinze’s “Diasporic Topcoat?” recommends that Gogol puts on an “topcoat” through the switching of his name to represent the switching of his.   Susanne Fusso is a professor in the Department of Russian Language and Literature at Wesleyan University. She is the author of Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, ). She is the translator and editor of A Russian Prince in the Soviet State: Hunting Stories, Letters from Exile, and Military Memoirs () and coeditor of Essays on Karolina Pavlova () Price: $ The Namesake illustrates several elements of transition that are common to the stories of immigrant families and their children. As shown in the film, the first generation connects with their cultural identity and roots to a far greater degree and density than their children do. As an introduction to Gogol, this book would be next to useless. Nabokov wrote this book with the assumption that the reader has already read at least Gogol's major works. (And what Nabokov dismisses as Gogol's minor works and not worth discussing are considered by some to be his most important writings.) This book is also not very useful to /5(62).